Skip to main content

NEW PAINTING Inner Truth

 

Kimberly Kelly Santini 
paintings with soul
because our world needs more beauty
 

"Inner Truth," 24" x 20", acrylics on panel, $849 plus s&h to the first asking nicely. Please note that the watermark is not on the original painting. Returning collectors always receive 10% off. I accept Paypal, personal checks and payment plans. Feel free to directly message me with your inquiries.

For the last month I've been involved in a workshop called "The Brand of You." It was offered via Patreon with the mission of defining clearer intentions in our lives. One of the most important takeaways I got was a cleaner understanding of my own truth and mission as an individual, as a painter and as an instructor. There's a certain ferocity to what I do daily - painting intuitively from a vulnerable space in response to world events - and also a tenderness, which I suppose comes about because I am willing to be vulnerable.

This is the painting that came to fruition after the workshop tied up. There's a tangled mess of weeds inside me, but they are tenacious and beautiful in their own unexpected way.

I will continue to work on the ideas germinated in this particular workshop. And my (online) students will ultimately benefit after I process discoveries and fold them into my content. We all want to make art that matters. The only way to do that is to align one's heart with one's muse. And that's what I teach.

Also, there will be a live demo this Friday morning, 10am eastern, for my Real Time students. A bit of this painting will trickle into a new composition inspired by an all time favorite piece. Come join us.

Thanks for following along on my painting journey.
Be well,
Fondly, Kim

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more