“Little Jessie,” 4x8, mixed breed pet portrait in acrylic on canvasboard, private collection (thank you!).
This is Jessie, who’s lineage could possibly include lab and a little beagle. She has a smoky quality to her golden fur, and distinctive dark eye liner.
I blocked her in with the typical yellow lab coloring (cadmium yellow dark and cadmium red dark tinted with titanium white and a smidge of green gold), but then added some blue (pthalo) and green (gold) glazes overtop when it was all still wet. Then I drybrushed the entire surface, eliminating all my edges, but leaving her blurry shape. At this point I also make certain that all the little “pockets” in the board are filled with color – that’s one less detail I need to worry about later.
Once that layer dried, I went back in and laid down more generic shapes, starting with a careful redrawing of the edges. I gradually push the shadows deeper and pull the highlights forward, allowing the brushwork to model the form.
And I spend a good amount of time on the eyes next, building color, depth and personality into them. When the painting is able to look back and me, that’s when I hit my groove, and the rest of the details slide right into place.
Thanks, as always, for looking.And for sharing these paintings with your friends and family, too!
Talk to you tomorrow,
Kim
Kimberly Kelly Santini
http://www.turtledovedesigns.com/
distinctive pet portraits
& 4-legged paintings
http://www.paintingadogaday.com/
come. sit. stay.
enjoy the art.
Founding member of the Canine Art Guild
http://www.canineartguild.com/
the gateway to canine art on the web
The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
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