Skip to main content
Welcome to March's Animal Welfare Week! Every month I dedicate the first full week to profiling dogs in need. Periodically I partner with Paws With a Cause and share their stories of triumph.

This week I'll be painting service dogs from Paws With a Cause, with a special focus on the individual relationships between the dogs and families who work in tangent. It is well choreographed, so many lives changed for the better on every front.

PAWS dogs are bred by PAWS staff, using animals they know to be free of health issues (such as hip dysplasia, behavioural or temperment concerns, etc). Puppies are raised by foster parents, who socialize the dogs and begin basic obedience training. After a year, the youngsters are then turned into headquarters where they begin their lessons at "school." Ultimately each dog completes their own training regimin and is carefully matched to an individual based on the dogs' skills and the individuals' needs.

This entire effort is a huge investment of volunteers' time and energy. For me it continues to be an honor and a pleasure to support Paws With a Cause. As is always the case with Animal Welfare Week, 20% of this weeks' sales will be donated to Paws With a Cause in the purchasers name.




FROM TOP: "Cooley I" and "Cooley II," both 5" x 7", black lab service dog portraits, in acrylic on canvasboard. Both priced at $149, available after my client's review. She gets first dibs. Waiting lists and inquiries to ksantini@turtledovedesigns.com .

Both paintings SOLD.

This portrait had been booked for months, and then I got the added pleasure of meeting Cooley and my client at this past weekend's DKC Dog Show. Cooley is her 2nd PAWS dog, as the 1st one has retired (and lives at home with them). Getting a new service dog is a huge transition - the dog is learning to respond to a different voice and adapting to his new environment, the person is learning how to work with a new partner and all the idiosyncracies that come with that different personality. Compounded by an older dog who could be resentful of his shift in roles, the situation can become challenging. However it appeared as though all were adjusting very well.

Cooley is a big handsome guy, with a distinctive cowlick tracing the length of his nose. He was eager to greet me, but also tried to be mindful of his job. It was a tough balance, but I thought he did very well. At only 2-1/2 years old, there's much puppyhood dancing behind his eyes, but there's also a maturity in the way he carries himself. I have no doubt that he will fill his predecessors shoes and enable my client to continue her independance.

More information about Paws With a Cause, including details on how you can support their efforts, can be found at http://www.pawswithacause.org/ .

I'd also like to take a moment to extend a special welcome to the dog-a-day readers whom I met this weekend at the DKC Dog Show. It was a treat to have faces to match up with dogs' names/email addresses and previously purchased paintings. Thank you for taking the time to stop by, introduce yourselves (or your dog!), and chat for a bit.

Thanks, as always, for looking, and for sharing these paintings with your friends and family.
See you tomorrow,
Kim


Kimberly Kelly Santini
http://www.turtledovedesigns.com/
distinctive pet portraits
& 4-legged paintings

http://www.paintingadogaday.com/
come. sit. stay.
enjoy the art.

Founding member of the Canine Art Guild
http://www.canineartguild.com/
the gateway to canine art on the web

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...